Your complete mixing suite. Shop Now. Sign up for our newsletter and get tutorials and tips delivered to your inbox. This article references previous versions of Ozone and Neutron. For mixing engineers and producers alike, it pays to become intimately acquainted with the virtues of automation. Swooping sounds from left to automation eq logic pro x free, enhancing emotion with level boosts, or fixing complicated problems with real-time adjustments—all automation eq logic pro x free these moves separate the quotidian from the marvelous when mixing music.
But riddle me this: how often do you think about automating EQ? Perhaps not as often as you should, for automating EQ can create both dramatic and transparent effects. In mixing, we often automate levels for instruments that need to be emphasized for short periods of time.
But sometimes an automated boost of EQ can serve your purposes with more transparency than mere volume automation. However, no straight decibel boost is doing the trick: a decibel is too little, and 1. What about a small, wide boost in the high midrange, clicked in just for the duration of the solo? This could be the ticket, especially if done with a neutral sounding EQ. Suddenly the guitar is more forward, though without calling attention to itself.
This technique can also come in handy during the mastering process. It could be a slight level boost of 0. Click it out again when the solo is over, and you can subtly, momentarily emphasize an important moment of the mix.
Sure, you can stick a dynamic EQ centered around the notes giving you trouble, but mayhaps this creates a new problem: the all-too-resonant bass notes only bloomed a couple of times. The dynamic EQ, however, takes too much of the resonance out of the signal all the time. What do you do? Automate a parametric cut! It works wonders. Wait for the moment, click in the band, and then click it out.
The same technique works in mastering scenarios, though as a rule, you should keep these affectations as subtle as possible, so as not to introduce obvious changes in overall timbre, or weird phase-shifts.
In conjunction with automating a reverb, you can automate EQ to create front-to-back panning effects. You can achieve the change in depth with an automated high-shelf: take it down in level and frequency over time. As the sound moves farther away in depth, gradually you perceive more midrange than anything else, with a bit of subharmonics in the signal too. This EQ automation, paired with subtle shaping of ambient parameters early and late room reflections, for examplecreates the effect.
It is made possible in no small part with EQ automation. The reverse of the process can also be dramatic—bringing a sound closer to you over time. Increase level, decrease room reflections, and you have a sound that pushes its way towards you dynamically. You can create your own effects by automating an EQ. Try this: Instantiate a parametric boost, and then put your DAW into latching mode. As the track plays, move it around dramatically from lower to higher frequency centers, then back again.
Doing this process with EQ, rather than with a dedicated plug-in, may also have advantages for fastidious engineers: you can control exactly how, when, and by what degree each change automation eq logic pro x free frequency occurs, aligning everything to your exact predilections.
Then, move them around independently as you see fit. Recently I mixed a track where the vocalist sang a line about losing touch with reality. The line occurred midway through the second verse. The producer suggested we try something to enhance the subject matter in the mix, and we came up with a dramatic stereo effect that hinged on automation:. First, I made the signal compatible for stereo processing it was a mono vocal, after all. Then I instantiated a series of parametric boosts in the left channel, offset with parametric cuts at the exact same frequencies in the right.
More parametric boosts were then clicked on the right channel, automation eq logic pro x free corresponding parametric cuts automation eq logic pro x free the left. I saved that moment for an appropriate line, one about getting her bearings back. Automating the EQ was paramount to achieving this effect, and the effect really sold the moment. The principle behind this trick is quite simple: You may want to give the illusion of deeper bass or brighter trebles, but that way lay problems.
Too much low end over time can eat up your dynamic range, while too much high-end can lead to ear fatigue. Let automated EQ come to the rescue!
Introduce the frequency you want to be emphasized, and take it away over time. If done properly, the brain can supply the missing information.
Take a bass synth for example. We can keep it very bass-heavy at the beginning of a tune, and then ever-so-gradually bring down its low-end when the kick really gets going; if mixed well, the tune will still retain a bassier feeling, even if the signature bass element has abated somewhat. The same principle can apply in a mastering context.
Say you really want an intimate, breathy feeling in the intro and verse, automation eq logic pro x free if you add a dB of high-shelving, it becomes too much by the time that heavy chorus rolls around. One way around this is too sneak off this high-shelf as you approach the chorus, bringing it subtly back to unity. It can also work to have the shelf simply bypass on the downbeat of the chorus, to avoid any transition period.
The specific implementation really does depend on the material. This can automation eq logic pro x free a powerful approach if done well. Now comes the general disclaimer: be careful when automating EQ. While the effects can be palpably beneficial, you must always remember that nothing happens in a vacuum, and every miracle has its price.
Any EQ choice you make affects further downstream processing, so if you tweak the EQ on a guitar, you may change how it may hit its corresponding compressor—which could change how it hits any processing on the submix, which could, in turn, affect any stereo-mix processing. Stereo automations could likewise get out of hand, messing up mono compatibility if taken overboard. And everything you do in mastering process involves a little bit of compromise: boosting high-mids to make the guitar solo cut more?
You may be bringing out anything from snare crack to kick click with it! Proceed, but with caution. Be bold, but be reasonable. Make compromises for an uncompromising mix. Looking to make your chorus stand out? Learn how to create contrast between similar sounding verses and choruses, what plug-ins to use, and when to incorporate creative effects processing into your chorus.
Learn tips for using both headphones and monitors while mixing to produce audio that translates well across different listening environments. Get top stories of the week and special discount offers right in your inbox. You can unsubscribe at any time. Share this. Explore the future of mastering:. Ozone 9. Learn More. Never Miss an Article! Here are some instances where you can employ the practice.
To bring out an element that needs momentary emphasis In mixing, we often automate levels for instruments that need to be emphasized for short periods of time. For front to back panning In conjunction with automating a reverb, you can automate EQ to create front-to-back panning effects. To create a dramatic stereo effect Recently I mixed a track where the vocalist sang automation eq logic pro x free line about losing touch with reality. The producer suggested we try something to enhance the subject matter in the mix, and we came up with a dramatic stereo effect that hinged on automation: First, I made the signal compatible for stereo processing it was a mono vocal, after all.
To cheat the listener into thinking a track has more bass or treble than it does The principle behind this trick is automation eq logic pro x free simple: You may want to give the illusion of deeper bass or brighter trebles, but that way lay problems. Conclusion Now comes the general disclaimer: be careful when automating EQ. Most Recent Articles. Mark Cattini Jun 08, Trevor Spencer Jun 07, Jun 04, We make innovative audio products that inspire and enable people to be creative.